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The collections of the Leo Baeck Institute contain numerous artworks. One of the artists most represented is Lene Schneider-Kainer. This Jewish artist, originally from Vienna but at the time based in Berlin, travelled from to across the Near East and Asia. A recently divorced woman, her journey was doubtless a brave undertaking for someone of her gender.
She travelled with an entourage, including her new partner, the well-known German novelist Bernhard Kellermann. Later, in the Nazi period, she would flee Germany and eventually settle, after a long exile that led her through Spain and New York, to Bolivia. But at this time she was a successful artist who also ran her own fashion salon in central Berlin, where she circulated among high-society.
On her three year sojurn there were a few significant stops that lasted weeks or even months. One of these longer stops, in , was in Agra, India. Here Lene spent time in a rented home with Kellermann and a staff of servants, drawing and painting local scenes and people.
Tawaifs had existed for centuries on the Indian subcontinent, where they might be comparable to the Japanese geisha. Many girls were apprenticed at a young age into the royal courts, where they trained in the performing arts and literature, all with an eye to entertain and provide hospitality, for example at banquets, weddings among royalty, and festivals. In addition, they acted as educators. Young men of the upper classes were sometimes sent to a court where they observed the manners and hospitality exhibited by the Tawaifs, which they were to integrate into their own behavior.
